Film and media: from script to screen
A production is only worth its chain of title. The firm advises producers, authors, directors and broadcasters at every stage: development, financing, production, distribution.
Typical situations
- You are developing a film, a series or a format and must secure rights from the writing stage
- You are structuring a co-production and negotiating contributions, rights and revenues
- A broadcaster or distributor requires a complete chain of title before signing
- You are adapting an existing work — book, article, game, foreign format — and must acquire the rights
Chain of title, the backbone of the project
Authors’ agreements — script, direction, music —, pre-existing works, archive, works and trademarks appearing on screen: the firm builds and audits the chain of title on which financing and exploitation both depend.
Production and co-production
French and international co-production agreements, talent and crew contracts, financing arrangements: agreements that allocate contributions, rights, revenues and liabilities clearly.
Formats and adaptation
Options over existing works, audiovisual adaptation, protection and assignment of television formats: the firm secures the passage from an idea or a work to the screen, in France and abroad.
Distribution and exploitation
Distribution mandates, pre-sales, platform agreements, music clearances: every exploitation rests on verified rights and negotiated contracts.
Frequently asked questions
What is the chain of title?
How do you protect a television format?
International co-production: which law applies?
Speak with the firm.
Every inquiry receives a prompt and confidential reply, protected by professional privilege.
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